After a long period of thinking in a certain way I have found it interesting to almost 'wipe' my mind clear and begin afresh with something as simple as it gets - with not even a viewfinder fitted - to see if the most simple of images can create emotion or reaction - and if it can then is it worth studying further - or is the secret in the fact that it wasn't studied and measured and tested beforehand?
About Me
- Michael Jackson
- Photographer based in South Wales, UK. Working mainly on a single beach - Poppit Sands.
Tuesday, 31 May 2011
Thursday, 26 May 2011
More London work
I am still working on my London shoots. There is such a mass of information collected from my London visits that it is taking a while to make the cream rise to the top, so to speak. This way of working is so different to Poppit - where weekly visits of 12 shots each was the norm - but I can still feel the rush of excitement as I stood in front of these buildings, the same way as I used to feel while shooting the sands at Poppit.
Which is a good sign.
The London work so far can be seen at http://www.mgjackson.co.uk/gallery_420688.html
Which is a good sign.
The London work so far can be seen at http://www.mgjackson.co.uk/gallery_420688.html
Thursday, 19 May 2011
Equipment - important?
After an exhausting few weeks working on the London images I have been relaxing with a small point and shoot camera. I find that the different camera produces a different approach - which got me thinking about how often I hear that the equipment is not important - it is the photographer that takes the photograph.
I am starting to think that this is not true, and maybe just a cliche that people like to throw into the conversation. From my experience the equipment has a profound effect on the work. I feel that the equipment I use is essential in shaping my approach and therefore the final image - from its size, shape and features to its limitations and overall design. I know for a fact that the way the old Hasselblad 500CM felt in my hands effected the way I photographed at Poppit. If I had used a different camera the shots would have been different.
So, for me anyway, I think that the equipment that I use is essential for making a photograph look a certain way.
I am starting to think that this is not true, and maybe just a cliche that people like to throw into the conversation. From my experience the equipment has a profound effect on the work. I feel that the equipment I use is essential in shaping my approach and therefore the final image - from its size, shape and features to its limitations and overall design. I know for a fact that the way the old Hasselblad 500CM felt in my hands effected the way I photographed at Poppit. If I had used a different camera the shots would have been different.
So, for me anyway, I think that the equipment that I use is essential for making a photograph look a certain way.
Wednesday, 11 May 2011
Monday, 9 May 2011
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